Tuesday, July 30, 2013

1 051 200 minutes

Today marks the two year anniversary of our arrival in Moscow.  I can’t believe how quickly time has flown by.  In the past two years we’ve adjusted to a new life halfway across the globe, discovered weird and wonderful things about our newly adopted homeland, lived through the loss of a dear one, witnessed the arrival of a friend's little one (and his growth over the past year), I’ve earned new letters to place behind my name, we’ve traveled extensively, made new friends and bid farewell to others as they return to life in Canada or abroad.







The past two years have been filled with laughter, tears, joy, sorrow and everything in between.

 
I’m reminded of a line from the musical Rent:  525 600 minutes...how do you measure a year in the life?  In daylights, in sunsets, in midnights and cups of coffee, in inches, in miles, in laughter and strife.





Here is a glimpse of the "wall of awesome" - images we have hung in our apartment that chronicle our shenanigans since we moved to Moscow.

St. Petersburg, Russia



Prague, Czech Republic

Amsterdam, Netherlands

Athens, Greece


Warsaw, Poland

                                                         Sochi, Russia                                               photo: Mr. U


Paris, France


Normandy, France


Ronda, Spain                                       photo credit: Mr. U

Gibraltar                                         photo credit: Mr. U

London, England

Helsinki, Finland

Kyiv, Ukraine                     photo credit: Mr. U



Venice, Italy



Berlin, Germany

The next two years are a blank canvas waiting to be filled with adventures.  The plan is to make the most of every one of the 1 051 200 minutes to come.

A Sweet Ending

Hannibal Lecter:...And how do we begin to covet, Clarice? Do we seek out things to covet? Make an effort to answer now.  
Clarice Starling: No. We just...
Hannibal Lecter: No. We begin by coveting what we see every day. Don't you feel eyes moving over your body, Clarice? And don't your eyes seek out the things you want?

I was reminded of this passage from Silence of the Lambs on a daily basis as I walked past the darkened windows of Fassbender and Rausch.  With each passing day my attention level grew from curiosity to desire to obsession.  Wanting desperately to know what treasures awaited me yet being too afraid to cross the threshold of the old building was quickly occupying an unhealthy proportion of the real estate of my mind.  You see, I knew fully well that once I transgressed into the mysteriously cavernous space behind the beckoning door, there would be no turning back the hands of time. 

It is impossible to un-know what we experience, especially when that very knowledge can provide such sweet and exhilarating pleasure.  As such, it took all of my inner strength to leave the Pandora's box closed and untouched.  This resolve lasted for four days.  On the fourth day I had thoroughly convinced myself that no harm could come from a simple browse around, that I was not obligated to break down and submit to my basest desires - I COULD absolutely control myself.  I could handle a walk about the showroom floor without succumbing to the reptilian urges slowly awakening at the base of my brain.  It would be more than enough to treat my eyes to the glory that was contained within. 

Uh huh.  Sure.  Right.  If that what helps you sleep at night, that sounds good to me.

My olfactory receptors bracing themselves for the inevitable onslaught of delights emanating from what I knew would be simply exquisite creations, I steeled my resolve and pulled on the door leading to an earthly garden of delights that no doubt awaited every last fiber of my very being.

After four days of anticipation, the experience of my imagination was met with an equally strong reality in a collision of overwhelming sensory overload culminating in an explosive and immediate assault on all of my senses.

Behind the tinted windows lay row upon neatly organized row, stack upon perfect stack (it is Germany, after all - objects must be displayed in an orderly fashion) of all manner of chocolate confections.  There were truffles and squares and treats and bars and sweets and display cases with varieties of candies that made your eyes water along with your mouth.  There were even chocolate sculptures of major Berlin monuments on display.  Why did I even bother sightseeing?  I could have spent four days here instead!

Oh my.

Enjoy the eye candy.  I can neither confirm nor deny the possibility that some of the chocolate for sale did make its way into our bellies.








Wednesday, July 24, 2013

Hear The Truth, Whoever Speaks It.


The Jüdisches Museum in Berlin is a stunning facility carefully designed to ensure the visitor’s experience is focussed equally on both the content and the architecture - one reinforces the other in a symbiotic dance of form and function.  What distinguishes this Museum from many others is that equal importance is given to “the void as place” as is given to the detritus of the lives of those who came before. 




 


accounting table for commerce







fabric patterns for clothing patches

original paintings of stills from documentation of the Majdanek trials

Bedřich Fritta - Drawings from the Theresienstadt Ghetto

Before the Transport 1943/45

Tower of Death 1943/44

Fritta’s Tower of Death can be regarded as alluding to the tower of the camp headquarters, topped by a flag.  In the basement of that building, there was a jail where prisoners were locked up and tortured.

The Life of a Privileged Detainee  1943/44
 One unusual feature of the Theresienstadt ghetto was that some detainees were categorized as “VIPs” or “prominent individuals”.  Their privileges included better food, accommodation in special buildings together with their families, and in some cases even protection from deportation.


Café 1943
 Fritta gives a wraithlike and strangely abstracted quality to the guests in this café, set up in the ghetto in december 1942.  The tables are empty apart from the entrance tickets, which had to be bought with “ghetto currency” and were valid for two hours.  The café was designed to delude the Red Cross delegation, but for the prisoners it was a comfort - for a few moments, it offered them a semblance of normal life.


Abandoned Luggage 1943/44


spice holders

The Garden of Exile




Menashe Kadishman - “Shalekhet” or “Fallen Leaves”

The over 10,000 faces covering the floor are dedicated to all the innocent victims of war and violence.